I didn’t really have a reason for being in town. There were no urgent things that has been forgotten by the grocery delivery yesterday that needed to be bought. I bought a half dozen tubes of watercolour paints in a sale and a mindfulness journal – “exercises to help you to find peace and calm wherever you are.” Prayer has the same outcome, but I like messing around with words. A random page on washing up instructed me to run water, add washing up water, look at the bubbles and smell the fragrance. Picking up a plate, I am to feel its weight, take a sponge, and hear the squeak of the sponge on the plate. It doesn’t say anything about dancing in front of the sink while singing a worship song.
I wandered down to the Museum and Art Gallery, my usual haunt for poetry-provoking exhibitions. Notebook and pen In hand I studied the painting and photographs.
“Another Country” consisted of art work on the topic of immigration. 457,000 people, or 9% of the population of Scotland are foreign born. They are the “New Scots”. If “foreign born” includes people south of the border, it includes me. I like the designation New Scot. I am a New Scot having moved here in 1989. It gets less and less likely that I will head back to England, but you never know. The paintings, the photographs were not there to land on any particular side of the immigration argument, but to encourage discussion and create dialogue. It was perhaps a sense of nationality, our need to belong and our definition of community coming under threat that led to Brexit, but the idea of New Scots, isn’t just about immigrant settling in Scotland, but also about old Scots, the ones who have always been here, being prepared to change and adapt. To become New Scots.
Two pictures taken from a larger collection “Kinder Transport” focussed on Jewish children being rescued from Nazi occupied Germany. 10,000 children reached the safety of Britain. Although they were strangers, separated from friends, family and the fatherland, they had bright smiles on their faces – almost a determination that they would prosper and find a better future. We don’t seem to know how to smile any longer in the middle of our troubles. We don’t seem to determine to prosper.
Another set of pictures, mostly charcoal sketches, featured knots and anchors. Knots and anchors should speak to us about security and safety. My husband and I spent a few weekends sailing and practised tying knots using the chairs in the kitchen. What happens when the rope frays, or the knot unravels? What happens when the anchor shifts in the storm? It feels like everything is fraying or unravelling or shifting and what we call home doesn’t feel so safe anymore.
I have never felt threatened by immigration. I’ve never seen any side of it that makes me uneasy. I’m not competing with anyone for a job or for housing. But other people do – and for good reason. I have heard others wax lyrical about “them” and “us”. I’ve seen the posts on Facebook that whip up a frenzy and tell us the woman in a veil is my enemy. Where does that thinking come from? I think its about not wanting to become the New Scot when Old Scot is all we know.
One of the first things in the exhibition, which I didn’t see until the end was a poem written by a modern poet, Lo Mei Wa. It was a little too high on the wall to read easily and the internet will not track it down for you.
It’s a frightening poem. It envisions a frightening world where difference is not given a chance to flourish because people don’t want to be different and they don’t want others to be different either.
God loves variety. There are more than just blackbirds flying in the sky. There are more than beetles crawling on the ground and angel fish swimming in the water. When variety dies out we are in trouble.
We need to learn to live in a world that allows difference.
We need to live in a world where some of those differences make us different from who or what we were yesterday.